Kyuss Blues For The Red Sun Blogspot

Search This Blog. Friday, March 20, 2015. HELLLLLL Yes, KYUSS! Man, do I love me some Kyuss. 'Blues For the Red Sun', which gets more and more acidic. Blues For The Red Sun Blues For The Red Sun. Blues For The Red Sun Kyuss. MP3 download When you buy an. Search and download from over 6 million songs. Kyuss Blues for the Red Sun. Members also enjoy unlimited free mp3 music downloads without.

Kyuss Blues For The Red Sun

Review Summary: Kyuss' groundbreaking album is worthy of the praise it receives. A classic for those who listen.

Blues for the Red Sun. Released in 1992, this great, great album (named in homage to an episode of Carl Sagan’s Cosmos), changed everything for the humble little band named Kyuss. Marquis De Sade Justine Illustrations more. This album introduced a new sound to the world: not only the refined sound of Kyuss themselves, but the sound of pure, unmitigated stoner rock. Though bands like Black Sabbath and Blue Cheer had monopolized on a heavier, slower, blues-tinged sound, nobody had done it like Kyuss would on Blues (and, for that matter, Sky Valley), and I believe nobody will ever do it quite like Kyuss did again. As is clear from Kyuss’ first release, Kyuss is a band that loves to riff. And on Blues, boy do they riff. Guitarist Josh Homme pumps out riff after riff on excellent tracks like ‘Thumb’ and ‘Molten Universe. Moneyworks Gold Mac Serial Number. Softice Cracking Version 4.05 on this page. ’ The songs, quite obviously, have total surface-badassery.

Who doesn’t like an awesome C-tuned guitar riff played through a bass amp' Blues introduces a lot of little quirks in Kyuss’ music that made their songwriting that much more unique and memorable. As is noticeable in the opener track, ‘Thumb,’ and extremely present in ‘Thong Song,’ Kyuss posses a very nice heavy-to-light formula. The contrasting verses/choruses provide a synergetic dynamic that makes the music much more interesting to listen to. Also, Kyuss (and more specifically Josh Homme) start a sort of tradition: a song section that gradually speeds up. For Blues, this is the outro riff in ‘Thumb.’ To this date, I have never heard another band outside of Homme’s circle of bands to have something like this in their music. This accelerating song structure would later appear in a plethora of Josh Homme-related tracks, such as ‘Asteroid,’ ‘You Can’t Quit Me Baby,’ ‘I Think I Lost My Headache,’ ‘Someone’s in the Wolf,’ ‘Warsaw,’ and more.