Archive 2007 Mamiya 50mm f4 shift with Zork. The Mamiya 645 50mm f/4 Shift lens has an image circle diameter of. What about the 75mm f/4.5 W Mamiya RZ67. 7 Pro II Z 7. W Shift Reviews. From england. Date Reviewed: March 3, 2. Strengths: Optics, versatility,Weaknesses.

I used the 75mm shift lens for a big project about four years ago and thought it served well, though movement-wise it's no substitute for a view camera (but then, nothing is, and an SLR can can do a lot that a view camera can't!). I suspect the 20mm figure is pretty close, and that's in any direction (not just 10+10); the lens rotates to 8 or 12 different positions so that you can, for example, shift up and to the left (as opposed to just straight up/down or to the left/right). Download Simply Worship 3 Rar Software. Maybe slight darkening of corners with increased shift, but them's the laws of optics and it's not what I'd call vignetting unless you've got filters on.

Quite convenient, though you have to stop down manually after focusing and before shooting (the aperture ring is on the filter-end of the lens). This takes a week or two to imprint on one's brain. Architectural use? Drivers Nvidia Geforce 8500 Gt Ubuntu Mate more.

The problem is the focal length; at roughly a 37mm equivalent (in 35mm terms, I mean) the 75mm shift lens isn't wide enough for many architectural applications. Note that the Mamiya 6x7 shift lens is also 75mm, but costs a lot more and uses a much larger filter size than the Pentax (but I've never used the Mamiya). Overall quality, reliability, and optical quality of this lens were quite good, as I recall. While Canon's three T/S lenses are the best such lineup in photography, they've always struck me as a little more fragile than the medium-format shift lens offerings from Pentax (6x7) and Mamiya (645 and 6x7), all of which feel a bit sturdier. There's no other practical option that works with the P67 body; you can, of course, buy various view-camera-type adaptors but these tend to be both more costly and more unwieldy than a view camera itself.

MF shines when you like everything about a particular brand, but when you want something that that brand doesn't offer you're kind of stuck. Assuming that one wants to hang on to one's Pentax or Mamiya system, I think the best solutions for perspective control involve finding other MF options that have perspective control. The Hassy ArcBody, the Horseman SW612, and the CamboWide with roll-film back all offer far more flexibility than any mere shift-lens-on-an-SLR can. Granted, the lenses and bodies aren't compatible with your Pentax or Mamiya, but at least you only have to carry one format of film (120)--and you may be able to leave your wider P and M lenses at home.

Buy an old Bronica S2 Tilt Shift Bellows for $200 to $250 and on the camera end replace the mount with the P67 Mount and on the lens side replace the mount with a Mamiya RB Mount. Replace the bellows with a homemade bag bellows. The Mamiya RB mount has about a 3/4' longer film to lens distance so will allow infinity focusing with movements in most situations. I'm thinking the Mamiya 50mm lens would be a good starter! I haven't done this yet, but will try in the next few months. I'll keep ya updated.

Rolland Elliot is known for doing some amazing and unusual things with lenses, so I hesitate to comment on his post. However I contemplated doing something similar with the Mamiya RZ 50mm lens. Never mind the problems with an electronic shutter, I found that the image circle when focussed at infinity was roughly 98mm in diameter. Since my 6x7 negatives were actually 57mm x 69mm, I calculated that the shift in both vertical and lateral direction would be only + and - 6mm, before vignetting and hardly worth the effort.

I am still looking for a viable MF sift/tilt solution. It is worth noting that the Mamiya handbook claims a shift of 20mm (I assume +/- 10mm) and several old postings show that this is quite inadequate for achitectural purposes. Toad For Oracle 9.6 Crack. Hi MF List Members, I just got to this list recently. This is my first response. I am using the Pentax Shift for many years (over 10 in fact). If anybody ask me - This is my preferred lens for everything, except people.

It is a bit too slow for moving subjects. Landscape-I would not want to miss it.

I shoot beach scenes - nothing better than with the shift! So I can control the foreground, as I need it. I agree, for very high buildings it is not that great because of the focal length.

But you just move more back. If you can't, switch lenses; the 45 and go in extremes.